| MOOGERFOOGER
effects |
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Lowpass Filter
MF-101
The award-winning MF-101 Lowpass Filter is a direct descendant of the
original Moog modular synthesizers. It contains two complete modular
functions: a voltage-controlled lowpass filter and an envelope follower.
It can be used with any instrument-level to line level-signal. The
moogerfooger filter's control parameters are signal mix, cutoff
frequency, resonance amount, and envelope amount. All of the Lowpass
Filter's parameters can be controlled with expression pedals or external
control voltages as well as by great feeling knobs which beg to be
tweaked. Panel switches select filter mode and envelope follower speed.
1/4" jacks are provided for audio input and output, pedal/control
inputs and envelope follower output. A heavy-duty, yet smooth-acting
bypass switch allows tabletop or foot operation. A lowpass filter
removes high frequencies from a tone. It makes the tone sound more
mellow or muted. The lower the Cutoff, the more muted the tone sounds.
Imagine a window shade. As it is pulled down, it cuts out the higher
light, then the light from the middle of the window, then finally all
the light. The MF-101 Lowpass Filter does the same sort of thing to the
sound spectrum with it's Cutoff Control. As you turn up the Resonance
control, the overtones near the cutoff frequency are boosted. Resonance
gives the moogerfooger filter the same classic Moog filter sound as the
Minimoog; and Moog modular synthesizers. The envelope follower tracks
the loudness contour (envelope) of a sound, and produces a voltage that
follows the dynamics of your playing. Every time you play a note, the
envelope voltage goes up and then down. The harder you play, the higher
the envelope voltage goes. The envelope follower opens and closes the
lowpass filter. Think of the envelope voltage as an invisible hand that
turns the CUTOFF knob up and down every time you play a note. Since the
envelope follows the dynamics of your instrument's signal, you actually
play the filter as you play your instrument |
£199 |
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Ring Modulator
MF-102
The MF-102 Ring Modulator is a direct descendant of the original Moog
modular synthesizers. It contains three complete modular functions: a
ring modulator, a voltage-controlled carrier oscillator, and
voltage-contolled dual-waveform LFO. It can be used to process any
instrument-level to line-level signal. A ring modulator produces sum and
difference frequencies between the audio input and a carrier oscillator.
The ring modulator's LFO can be used to modulate the carrier frequency.
The moogerfooger ring modulator can create effects ranging from subtle
tremolo to harmonically rich distortion, gong-like sounds, sweeps,
swoops, and divebombs. It can be subtle, or outlandish in it's use - you
decide! The moogerfooger ring modulator's control parameters are signal
mix, carrier frequency, LFO rate, and LFO amount. All of the ring
modulator's parameters can be controlled by the great feeling knobs that
beg to be tweaked as well as with expression pedals or external control
voltages. Panel switches select LFO waveform and carrier frequency
range. 1/4" jacks are provided for audio input and output,
pedal/control inputs, carrier input and carrier output. The heavy-duty
yet smooth acting bypass switch allows tabletop or floor use. Imagine
that the ring modulator's carrier oscillator is producing a 500 Hz sine
wave, and your input signal is a 100 Hz sine wave. The ring modulator's
output will be a complex waveform. You will hear two pitches: 400 Hz and
600 Hz. You will not hear your original input or the carrier oscillator.
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£199 |
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12 Stage Phaser
MF-103
The MF-103 12-stage phaser is a direct descendant of the original Moog
modular synthesizers, yet can be used with any instrument level to line
level signal. It contains two compete modular functions: a 6 or 12-stage
phaser with resonance control, and wide range LFO with amount control.
The 12-Stage Phaser's control parameters are Sweep frequency, Resonance,
LFO Rate and LFO Amount. All of these parameters can be controlled by
the great feeling knobs that beg to be tweaked as well as expression
pedals or external control voltages. Panel switches select ranrge of LFO
Rate and 6 or 12 stage phasing. 1/4" jacks are provided for audio
input and outputs, pedal/control inputs, LFO out and auxiliary sweep
input for bi-phase effects. The heavy-duty yet smooth-acting bypass
switch allows tabletop or floor use. A phaser is a type of comb filter,
so called because its frequency response has several dips and peaks,
like the teeth of a comb. As the phaser response sweeps back and forth
across the frequency spectrum, the harmonics of the audio input signal
are alternately increased and decreased. This produces the classic
phaser "whooshing" sound. Phasing is one of the best ways to
impart motion to a track and to make sounds come alive. With the MF-103
Phaser you can get swirling, shimmering, vibrating effects; fill up a
whole stage from one sound source; even create brand new sonic textures.
The MF-103 produces two comb-filter responses. They are called 6-Stage
and 12-Stage, because of the number of phase-shifting circuits that are
used internally. The 6-Stage mode has three dips in its frequency
response, while the 12-Stage mode has six dips. These two modes have
distinctly different sound qualities. In addition, the MF-103 features a
variable feedback circuit which increases the resonance, or depth of the
phaser sound. |
£239 |
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Analogue Delay
MF104Z - Signature Series
The MF-104Z soundz fantastic and like all Moogerfoogers it has controls
that allow you to vary the sound in a variety of ways that you can only
do with a Moogerfooger. Controls include: Drive and Output Levels allow
you to set-up the Z to match the type of signal you want to delay from
low level signals (vocals,guitar) to strong signals (studio console
output, drum machine). The Z is designed to work with them all. Delay
time: from slightly less than 50 msec to slightly more than 1000 msec.
Mix: Pot Control from completely Dry to completely Wet or anything in
between. Feedback Control mixes a portion of the delayed signal with the
signal from your instrument. Feedback control can generate a single
echo, sustaining echoes, or echoes that build up in chaotic ways.
Switchable Internal Loop / External Loop selects the feedback path. In
the Internal Loop position the feedback path goes directly from the
output of the delay back to the input. In the External Loop position the
feedback path goes through the Loop Out Jack and the Loop In Jack. This
gives you an opportunity to insert signal processing in the feedback
path, thereby enabling processing of the echoes as they are generated.
Very cool with another Moogerfooger (unbelievable with the MuRF). Loop
Gain controls the signal level which is applied to the Loop In jack when
the “External Loop” is on. Here is a listing of the jack
inputs and outputs on the back of this incredible effect: Inputs: Audio
In Feedback Amount, Delay Time, and Wet/Dry Mix each of these can be
controlled from a Moog Expression Pedal thru individual jacks on the
back of the Z. Outputs: Mix Out and Delay Out – the Output Level on
the front panel adjusts the levels of the direct and delayed signals
that appear at the Mix Out and Delay Out.
Limited production run only |
£495 |
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MuRF
MF-105
How many times have you wondered, "Why aren't there any NEW
effects?" Whether you play guitar, bass, keyboard, make beats, or
work in the studio - most effects boxes are based on the same old
classics. The Moogerfooger MF-105 MuRF is the antidote to generic,
boring effects. MuRF stands for "Multiple Resonance Filter Array".
What this means is the MuRF has 8 filters - their levels are controlled
by 8 sliders. It looks like a graphic eq, but the sound of the filters
are very different: warm and resonant. What is really unique is the
ability to animate the levels of the 8 filters in up to 24 preset
patterns. The rate of the patterns can be set by a knob, expression
pedal, or plug a footswitch into the tap tempo input to match the rate
to the tempo of your song. Rhythmic variations can be created by
adjusting the levels of the filters. The Envelope control sets the shape
of the modulation, which can be set for percolating techno rhythmic
modulation or shimmering timbral morphing. Other controls include Input
Drive, Output Level and Wet/Dry Mix. MuRF shares the musician-oriented
features that are common to all Moogerfoogers. All the audio processing
is 100% genuine analog, for warm, fat sound quality. Any line level or
instrument level audio signal may be processed. Wide-ranging player
parameters may be controlled from the panel knobs as well as from
expression pedals or CV-compatible analog synthesis instruments.
Components are rugged and long lasting, to withstand the rigors of stage
and studio. The MuRF is housed in the classic Moogerfooger "double-wedge"
enclosure that may be used on a table or on the floor. For all players,
the MuRF will open up new sonic worlds for you!.
Also available as a Bass version ( MF-105B ) |
£325 |
